Tulle and Candyfloss....the relationship to my own work and context

Since I discovered Karen Casper's work last year, I have been captivated by her multimedia creations.

Her inspirations run alongside mine including vintage embellishments, the mythical and sea-coral.  She uses a variety of techniques such as Devore, fabric painting, stitching and her trademark three dimensional embroidery with glow in the dark thread. I think the layered aspect to her lace makes the work so much more captivating, it demands a second and third look.

Karen's market seems to be for bespoke one-off creations which means she can afford to spend both time and money on precious materials and the customer can ensure no one will ever have the same.

Her creations are normally an accessory to the body which can be viewed not only as fashion for editorials but also as exhibition pieces.  I also think costume definitely has a strong influence over her work and sculptural embroideries.  Her latest creations....


Ventalina - 3D embroidered fan

The piece is insipred by the growth and cultivation of the undewater world named after Gorgonia ventalina, the purple sea fan, which is an especially beautiful and delicate coral whose latticework of branches is reminiscent of lace. I used a 19th Century French lace fan as the base and applied 3D glow in the dark embroidery that includes vintage lace. Other techniques used within the piece include devore, digital print and other fabric manipulations. Finally embellished with vintage pearls and jewels.   The work is part of the Manchester Museum's Coral: Something Rich and Strange Exhibition




Violet - 3D embroidered headpiece

I  created the contemporary headpiece using pieces of Gawthorpe's antique lace,combined with glow in the dark thread to produce a 3D embroidered sculpture. I also chose two headpieces  from their collection to gain inspiration from. A steamed fur felt skullcap style hat from 1930-40. Trimmed with leaf shapes of the same fabric and a section of gold chain and a ladies bonnet from 1860-1890. It has a plaited straw triple brim lined and trimmed with velvet and is decorated with artificial lily of the valley and orange blossom flowers and flowers made from swans down. 





I love the combination of neutral colours and the odd dashes of bright.  I can very much identify with Karen Casper's context for her work. The aim of my work is also all about the accessory whether that be to decorate the body, an interior of a house or paper decoration.  I feel inspired to create a super decorative parasol, a mask and I want to bring together my love of millinery with my own prints and embroideries.

I also have wanted to do a photo shoot for my work for a long while.  I have ideas as for how I would stage this. In particular, my current work would look fabulous on models riding on a carousel.

http://www.tulleandcandyfloss.co.uk/violet-and-ventalina.html

NEC: Fashion Embroidery Exhibition

This exhibit was something I really wanted to go and see. I found materials such as threads etc were expensive, its still cheaper to buy online. 

It was very interesting to watch the catwalk of City and Guilds and Uni students Textiles work.

Butterfly machine embroidery on display- unknown
Textures created via layering and quilting.

Peacock Costume- layered netting, dip dyeing and feathers.  Intricately detailed and rich colours.

Above: I had a go at Marbling (see sample in sketchbook). I would like to take this further used as backgrounds for drawings or as fabric decoration. The fluid movement lends marbling to a sea themed project. 

Red machine emroidery- a collage of various stitches and materials combines to give a luxurious sculptural appearance to surface decoration.

Below: Combined textile piece, use of emotive text as if on a journey.

 

 

 

 

 

 

 

Karen Casper

My favourite find of the day was the work of Karen Casper (Madeira Threads) on the sponsored stands. I adored her pieces, in fact there was nothing about them I didn't like. They are quirky, sculptural, colourful, mystical and eclectic- the epitomy of mixed media which is something I want to focus on. Her work can't be pigeon holed maintaining qualities suitable for fashion, art and costume.  Below her work can be seen literally dripping with lace and embellishments combining tradtional techniques (devore, quilting etc) with other materials such as Latex.

Above: vintage lace and sculpted fabrics into millinery pieces

Karen's s

ketchbook- it was good to see that she overlaps her drawings with her evaluation and her samples. Somehow this way of working makes everything come together more.

Article: http://lancashire.greatbritishlife.co.uk/article/karen-casper--the-young-mum-from-helmshore-creating-waves-in-the-design-world-44609/

Karen Casper had never touched a sewing machine until the age of 31. But when I met the mother-of-two five years later at her Helmshore home she had just graduated with a first class honours degree in contemporary textiles from Blackburn University Centre. Not bad for someone who has had to learn from scratch.

‘I have always been creative, but never did anything with it,’ says Karen who previously worked as a personal assistant at the BBC. ‘My sister taught me to hand sew and I just thought that if I don’t take it further now I never will. When I first started I remember my tutor having to show me how to thread the sewing machine needle!’

Soon she was using needles to create beautiful embroidered designs on fabric and that has led to even more innovative designs and materials. Techniques include devore, quilting, embroidery, fabric manipulation and embellishment to produce fine art pieces and commerical items.

‘I’m known for a particular piece using glow-in-the-dark wire,’ says Karen. ‘I like to give texture and depth to the pieces I create whether it’s a textile for the wall or a cape to wear.

‘I always start off with a textile but it often turns into something wearable. I mainly do one-off pieces but have been spending the summer looking at creating more for sale, things like head pieces and fascinators for fashion shoots or special occasions like weddings or the races. I don’t like to use just one medium, I tend to use mixed media like embroidery, screen and digital prints in my work.’

Karen’s reputation is growing as an innovative designer and maker of items from the vintage era to the futuristic but she intends to continue her education with a master’s degree in Manchester. ‘It’s been hard going back to college, studying and looking after two young children, but I have loved every single minute of it.

‘I’ve always tried not to hem myself into one particular box so that I can grow and develop. My tutors say my talent lies in costume, so who knows what the master’s degree could lead to, maybe collaborating with other mediums like sculpture?

‘I would love to work with a team doing editorial and costume pieces. The work Sarah Burton is doing for Alexander McQueen is amazing – that would be my ideal job producing avant garde couture in a place like that. I want people to interact with my work, to touch it.’

People will soon be able to do just that. Karen has been selected to take part in a project being staged at the Whitworth Art Gallery in Manchester.

You can see more of Karen’s work at http://tulleandcandyfloss.blogspot.co.uk.