Thursday, 24 October 2013

Mrs Lily; Sampling, context and development

I made Mrs Lily as a direct result of my second tutorial with Louise Richardson. I have had some of my drawings printed on the sublimation printer and wanted to pad them and bring them 'to life' with embellishments, hand and machine embroidery. I bought a variety of needles for my Janome Harmony 2041 including thin needles for polyesters and synthetics (sublimation materials), quilting needles and metallic thread embroidery needles.

To create Mrs Lily I used polyester sourced from an old shirt in a charity shop and backed it onto a piece of cotton found fabric. I love the idea of utilising unwanted materials. I then highlighted my drawing with a straight black stitch. I did struggle to actually quilt the bird because I need to reach a compromise between using freehand and a structured stitch with a normal foot/ quilting foot.

I left loose threads on my embellishments because of the trend research on WGSN 'Archaic Threads'. I think it added charm to Mrs Lily. I also experimented with embroidery silks (2 strand and 4 strand) to create varying sizes of French knotting building up textures in different colours. This creates a more textured base to then embellish, representing a hint of the animals genuine appearance (wings). My sequins are sourced from www.josyrose.com because the sequins seem so much stronger and symmetrical than others I have used. I would like to try and source some sort of vintage beading to use in partnership with the sequins in the future.
 
 


I love that drawing onto a magazine page means that there is this little face peeking through although I would have to be careful with doing this with illustrations because obviously that little face is someone else's work.

I still really want to take this peeping idea forwards using vintage imagery from photographs I sourced over the summer.

Context

I'm finding myself getting really excited about the work I am producing. I can imagine this bird a bit flatter as part of a collar as a shoulder on a dress. Swans on the side of shoes, embroidered animals wrapped round necks and lamps and cushions ahhhhhhhh the possibilities of accessories!!! I also think my drawings have the potential to be developed into transfers for ceramics, simple wallpaper repeats and quirky giftwear/ stationary/ fine art dolls and childrenswear. Why pen myself in to fashion or interiors or art when I can and want to do all three?

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